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DE sign:
(Deconstructing in-order to find new meanings)

A blogging space about my personal interests; was made during training in Stockholm #Young Leaders Visitors Program #Ylvp08 it developed into a social bookmarking blog.

I studied #Architecture; interested in #Design #Art #Education #Urban Design #Digital-media #social-media #Inhabited-Environments #Contemporary-Cultures #experimentation #networking #sustainability & more =)


Please Enjoy, feedback recommended.

p.s. sharing is usually out of interest not Blind praise.
This is neither sacred nor political.

Showing posts with label #ArchitectureForHumanity. Show all posts
Showing posts with label #ArchitectureForHumanity. Show all posts

Monday, August 24

Design Build Transform

Design Build Transform http://www.ifyoubuilditmovie.com/

Published on Jun 8, 2015

If You Build It spends a year in the life of one of America's most innovative classrooms.

"There’s something cool about solving problems, especially those really tricky, complex ones. If you meet someone who’s truly great at problem solving, you find they have a tendency to inspire those around them. They’re smart, often funny, and almost always strong, confident, wonderfully infectious individuals.
They’re the kinds of people who would make great teachers.
When Christine and I first heard about designer Emily Pilloton and her partner, architect Matt Miller, we were immediately drawn to them. Our friend Neal Baer had read a book by Emily called Design Revolution, which featured one hundred radical new ideas by designers from around the world that were changing people’s lives. One example is a genetically engineered flower that, when planted in an area that was filled with buried landmines, changed colors when it touched metal. There are do-it-yourself solar panel kits that bring lights to remote villages, water cups made from clay and organic material that purify water and fight disease, and eye glasses that allow the user to adjust to their own needs without a trip to the optometrist.
Emily and Matt both believe that great design—which is really just great problem solving—can change the world. Unfortunately, the people and places that are most in need of improvement often don't have access to designers and architects. Only two percent of the people in the world ever hire a designer or an architect. The world we live in is primarily someone else’s creation, so it’s difficult to feel true ownership of our own surroundings.
That’s why for years Emily and Matt worked hard to bring great design and creative problem solving to communities in need. They were especially careful to listen to those they worked with, and to include input from the community when new projects were designed and built and implemented. And although they were doing incredible work in communities all around the world, they recognized that there was only so much work they could handle. “These people don’t need us, they need our skill sets,” said Emily. That’s about the time their phone rang.
It was Chip Zullinger, a renegade school superintendent from Bertie County, NC, the poorest county in the state. Dr. Zullinger believed that if he could bring Matt and Emily to Bertie County and unleash the power of creative problem solving in a high school classroom, together they might be able to address some of the community’s most pressing challenges. “Would you two be willing to take everything you know how to do and teach it to our high school students?”
Emily and Matt immediately said yes, quickly created a design-build curriculum they called “Studio H,” and just weeks before the first day of class we were in North Carolina shooting what would become IF YOU BUILD IT.
Bertie County is the poorest county in North Carolina and faces countless challenges: high drop-out rates among high schoolers, high unemployment, stagnant education opportunities, high obesity rates, and a lack of access to fresh produce at reasonable prices. Those were just a few of the challenges. Emily and Matt would have been naive to think that their classroom and their students could have solved all of the problems that exist in Bertie County. But of course, that was never the goal. What Studio H was designed to do is plant small seeds and know-how in the students who participated in the class, and by doing so develop a new resource—a new generation of creative problem solvers—that could address some of these challenges in the near future with a new skill set.
We knew early on in the process that we would not (and should not) be able to shoot every day in the classroom. But we also knew that there were bound to be moments during the year that could be helpful in telling this story. So we as filmmakers did something we had never done before: we put cameras into the hands of the students and taught them how to tell their own stories. One student, Jamesha Thompson, was particularly good at shooting video and asking questions. We began to refer to her as the “Barbara Walters” of Studio H. When something important was happening in the classroom that we couldn’t document, we knew we could rely on Jamesha to get the story. This filmmaking technique felt especially appropriate because it was so similar to the Studio H approach; by inviting the students to take ownership of telling their own stories, we were able to create a much more honest and intimate portrayal of what occurred throughout the school year. Much of the footage Jamesha shot is in the final version of the film, and she became fond of saying, “I love the camera, and the camera loves me!”
The making of IF YOU BUILD IT was an extraordinary learning experience for Christine and me. Not only was this a challenging film to produce and an extremely nuanced and difficult story to tell, the lessons that all of us learned in Studio H—students, teachers, and filmmakers—went far beyond the lessons of how to design and build things. What we also learned is that schools need to be what we as parents and educators and students decide they should be, that we as a nation are relying far too heavily on on-line education, that real change can’t occur unless there is shared ownership in the new solutions that are being created to address our most challenging problems, and, perhaps most importantly, that there is a designer inside each of us that just needs a little encouragement to grow and develop.
Bertie County, NC is 2,600 miles from our home in California, and yet this always felt like a very personal story for Christine and me. Our three kids go to public schools in Los Angeles, so we understand the challenges and the potential that public education has to offer. We felt from the beginning that Emily and Matt and their students would make for an interesting story. What we didn’t realize was that it would become such a universal story, resonating with parents, students, and educators far outside Bertie County limits.
Imagine a world with better, more creative problem solvers. That’s what Studio H is about, that’s what IF YOU BUILD IT is really about, and that’s why we are so thrilled to share it with others."
—Patrick Creadon, Director

From the director of WORDPLAY and I.O.U.S.A. comes a captivating look at a radically innovative approach to education. IF YOU BUILD IT follows designer-activists Emily Pilloton and Matthew Miller to rural Bertie County, the poorest in North Carolina, where they work with local high school students to help transform both their community and their lives. Living on credit and grant money and fighting a change-resistant school board, Pilloton and Miller lead their students through a year-long, full-scale design and build project that does much more than just teach basic construction skills: it shows ten teenagers the power of design-thinking to re-invent not just their town but their own sense of what's possible.

Directed by Patrick Creadon and produced by Christine O’Malley and Neal Baer, IF YOU BUILD IT offers a compelling and hopeful vision for a new kind of classroom in which students learn the tools to design their own futures.

Sunday, August 9

Writing Salam #Peace

#Peace

Writing Peace, An exhibition for thinking and sharing peace across time and space

Writing Peace, an exhibition for thinking and sharing peace across time and space

04/11/2013

© UNESCO
Writing Peace, an exhibition for thinking and sharing peace across time and space” is composed -in its current setup- of 30 panels that represent the writing of the word “Peace” in diverse written systems, such us Chinese, Latin, Greek, Indian, Mongolian, Cherokee, Braille… Writing the word peace is already a way of thinking about the entailed concept and invites us to engage in intercultural dialogue.

This exhibition it’s a meeting point between cultural diversity and languages. A stop along the way for youth to become supporters in their respective surroundings of peace and non-violence, values that UNESCO constantly promotes. The exhibition continuously evolves, with a progressive addition of existing writing systems. Five exhibitions sets were presented all over the world on the occasion of international conferences about a culture of peace (New York, USA; Luanda, Angola; Baku, Azerbaijan; Vienna, Austria and Paris, France).  The success of the exhibition and its trilingual catalogue (French, English, and Arabic) allowed the elaboration of several derived products such as a presentation film, postcards, greeting cards and mouse-pads for sale at UNESCO’s boutique. 

Monday, January 12

ArchiCulture


Archiculture Official Trailer from arbuckle industries on Vimeo.
Logline
Archiculture examines the current and future state of studio-based, design education.

Synopsis
Archiculture takes a thoughtful, yet critical look at the architectural studio. The film offers a unique glimpse into the world of studio-based, design education through the eyes of a group of students finishing their final design projects. Interviews with leading professionals, historians and educators help create crucial dialog around the key issues faced by this unique teaching methodology.

Outline
1. Intro - Welcome to archiCULTURE
2. Design Education - So What Exactly is Design Education?
3. Studio Culture - Meet Your New Family
4. Critique - Desk Crits, Pin Ups, Juries O’ My!
5. Best Architects - Making it as an Architect
6. School vs. Practice - Two Worlds Collide
7. Starchitecture - The Plague of the Starchitect
8. New generation - The Designers of Tomorrow
9. The Future - I See Myself...

To stay updated about local screenings please follow us on our Facebook Fan Page: https://www.facebook.com/pages/Archiculture/176928975652899

http://www.archiculturefilm.com/

Tuesday, July 1

How forgotten Spanish masons' tiles transformed American cities

Article: How forgotten Spanish masons' tiles transformed American cities

Throughout New York City and beyond, the largely forgotten Guastavinos built some of America'€™s greatest public spaces
Have you ever noticed the vaulted tile ceilings of the Oyster Bar inside the Grand Central Terminal? Have you ever walked under the polychrome tile arches and vaults of the Elephant House of the Bronx Zoo?
The Museum of the City of New York is revealing a secret kept for decades behind many iconic American public buildings.
At least 200 of New York’s most prominent Beaux-Arts landmarks were built more than a century ago by a father-son team of masons from Spain.
Not only did Rafael Guastavino Sr. and his son (also named Rafael) help build some of the nation’s most iconic structures between 1881 and 1962, they also revolutionized American architectural design and construction with their tile-vaulting system.

Once you identify some of their architectural chef-d’oeuvres, you’ll start seeing them all over.
Their ceilings grace landmarks around the country from the Nebraska State Capitol to the dome of the Smithsonian’s Natural History Museum in Washington, D.C. They even ornament ordinary buildings. One of them is the Engine No. 3, a small brick firehouse built in 1916 not far from the U.S. Capitol.
Although they helped build more than 1,000 buildings in 11 countries, the name Guastavino remained largely unknown.
In an effort to shed light on the story of these avant-gardist architects, the Museum of the City of New York has just opened the exhibition “Palaces for the People: Guastavino and America’s Great Public Spaces,” running through Sept. 7.
Originally curated by John Ochsendorf, a 2008 MacArthur Fellow and professor in architecture at MIT, the exhibition first opened in 2012 in Boston. It was the result of a seven-year cooperation between Ochsendorf’s team and the city’s public library. Last year, the exhibition moved to the National Building Museum in Washington.
The latest exhibit is substantially expanded to highlight some 20 key Guastavino spaces in New York’s five boroughs.

Kindly check Full original Article http://america.aljazeera.com/watch/shows/america-tonight/articles/2014/3/28/slideshow-forgottenspanishmasonsatilestransformedamericaascities.html

Tuesday, December 10

Design resilient educational environments

A great opportunity for Architects & Designers and all interested civilians to learn about building/rebuilding schools
Kindly use the following link so that you'd join my endorsement group https://iversity.org/c/54?r=24b8e

Thank You in Advance